Man in a Suitcase Totally Explained

Everything about Man In A Suitcase totally explained

Man in a Suitcase was a 1967 television series produced by Lew Grade's ITC Entertainment.
Repeats of the show can now be seen on ITV4.

Origins and Overview

Man in a Suitcase was effectively a replacement for Danger Man, whose production had been curtailed when its star Patrick McGoohan had decided to create his own series, The Prisoner. Many of the Danger Man production crew moved over to the new series, which was initially to be titled McGill after its lead character. Like several ITC productions, the series would use an American star in an attempt to boost the show's sales in the US. An early choice was Jack Lord, but the part of McGill eventually went to Richard Bradford, a method actor who was spotted after appearing opposite Marlon Brando in the 1966 movie The Chase. The series was created by Richard Harris and Dennis Spooner. Neither writer had any further involvement with the series - Spooner was mostly involved with producing his own series, The Champions - and the lead character changed somewhat from their original conception of a hard-boiled, wise-cracking detective.
McGill was a former US Intelligence agent, who had been forced to resign from the service six years prior to the opening episode, practically accused of treason. Unable to clear his name or return to the USA, McGill makes ends meet by working as a travelling private detective and bounty hunter, based in Britain, living out of his suitcase (hence the title). His cases generally took him to different parts of Europe (and on a couple of occasions Africa.)
A distinctive feature of the show was the theme tune composed by Ron Grainer, a catchy, jazzy number. This was later appropriated by Chris Evans as the theme for his entertainment show TFI Friday.

Story and Style

In the first episode, we discover the reason for McGill's disgrace. During an assignment six years previously, he discovered that a top Western scientist called LeFarbe was preparing to defect to the USSR. Though he planned to intercept the defector, he was ordered to stand down by his superior Harry Thyssen. Shortly afterwards, LeFarbe went over to the Russians. Accused of complicity in the defection, McGill was unable to call on Thyssen to clear his name, as his superior had been drowned in a sailing accident, and he was forced to resign from the service amid much negative publicity. Six years on, McGill discovers that Thyssen is still alive, his death having been faked. He is now working as a sailor on a Russian freighter, in which capacity he acts as a courier of secret information from LeFarbe. The scientist is in fact a double agent, now highly placed in the soviet scientific community to provide valuable intelligence. As McGill's diligence nearly blew open this important operation, his superiors had no choice but to make him a very public scapegoat, in order to maintain the illusion of the LeFarbe defection as genuine.
   Building on this foundation, Man in a Suitcase was a series very much about betrayal, mistrust and deceit. Because of his unofficial, semi-legal status, McGill often found himself being hired by unscrupulous clients and unwittingly used for criminal ends, or set up as a fall guy. On several occasions, characters from his past with US Intelligence drew him into dangerous situations; and he could also be blackmailed or tricked into participating in espionage missions, as he was the perfect deniable operative. A number of the series writers were new to ITC, and this resulted in a show that was markedly different from the usual light-hearted adventure and espionage fantasy of such series. It highlighted character-based drama grounded in a cynical view of the real world, making it more akin to the spy novels of John le Carré and Len Deighton.
   As developed by Bradford, the characterization of McGill was complex. As a man who felt betrayed by life and his country, he could appear outwardly as surly, moody and uncommunicative. But this masked a sensitive interior. McGill felt compassion for those who were the victims in his cases, and would try to help them, often to his own cost.
   The level of violence portrayed in the show was unprecedented for an ITC series. This was partly because of Bradford's concerns that the stories and characters should remain real. Unlike most TV action heroes of the time, McGill wouldn't get cleanly knocked unconscious and then recover without effect - Bradford took great pains to depict the character as wounded and concussed. In addition to beatings, McGill is several times shot and stabbed, and ends more than one episode recovering in hospital.
   One gimmick of the show is that McGill's first name is never revealed, though some close friends know him as "Mac".
   As with the other ITC series of the era, although the plots took McGill far and wide around the world, in reality the majority of filming was done in and around Pinewood Studios. The series was unusual in its use of night-time filming (as opposed to the day for night approach common at the time). Actual locations included London's South Bank (Man from the Dead) and Kingston-upon-Thames (Day of Execution), the latter a setting for a remarkable (for its time) night-time car chase.

Cast

Richard Bradford is the only regular actor in the series. Guest stars include some ITC stalwarts such as Stuart Damon, Jane Merrow, Basil Dignam, Ed Bishop, Anton Rodgers, George Sewell, Philip Madoc and John Gregson; and such actors as Barbara Shelley, Rodney Bewes, Felicity Kendal, Rupert Davies, Colin Blakely, Ray McAnally, Bernard Lee, Jacqueline Pearce and Donald Sutherland.

Episodes

Man from the Dead
All That Glitters
Sweet Sue
The Bridge
Find the Lady
Brainwash
The Girl Who Never Was
Variation on a Million Bucks part one
Variation on a Million Bucks part two
Day of Execution
Web With Four Spiders
Blind Spot
The Boston Square
Jigsaw Man
The Sitting Pigeon
The Man Who Stood Still
Somebody Loses Somebody... Wins?
Dead Man's Shoes
The Whisper
Essay in Evil
Why They Killed Nolan
Burden of Proof
Who's Mad Now?
Property of a Gentleman
No Friend of Mine
Which Way Did He Go, McGill?
The Revolutionaries
Three Blinks of the Eyes
Castle in the Clouds
Night Flight to Andorra

The two part story Variation on a Million Bucks was edited into a feature film for theatrical release in Europe, entitled To Chase a Million.

DVD

The entire series has been released on DVD - in Britain as a digitally re-mastered box set by Network Video. Prior to this, Carlton Video had released a single disc with the first two episodes. The series is also available in Australia from Umbrella Entertainment in a superb box set and offers a superior print to the other releases.

Further Information

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